With the emergence of caste centric films in the mainstream Indian (also, in Nepal) film industry in recent years and its notable success has dawned upon the nu-genre of film making—the Dalit Cinema. Dalit Cinema is a newer technique to underscore the importance of art and creativity in upholding the human loving virtues simultaneously standing guard to fighting the ills of society.
The film festival is a product of the legacy of B.R. Ambedkar, arguably one of Columbia University’s most illustrious alumni, whose ideas and activism has shaped the world’s largest democracy, India.
Historically the experiences of Dalit in the films, erstwhile untouchables or the lower castes (over 250 million people worldwide) have been camouflaged by appropriating their voices into a caste neutral character.
Oft-repeated incidents of suppression of Dalit voices and Dalit assertion has maintained the cultural hegemony of dominating classes in India.
Whenever Dalit characters are presented on screen, it is either to degrade the humanity of the Dalit or term it as a despicable character worthy to receiving humiliation. Such casteist gestures have downgraded the quality of Dalit cultural life in India further pushing them down to the perils of humane existence.
DALIFF – Highlights
DALIFF’s aims are three-fold:
To expose to the world about the nuances of Dalit life, buried underneath the popular forms of artistic expressions.
To encourage a dialogue on the lack of representation and diversity in the Indian and South Asian film industry on the experiences of Dalit lives.
To create solidarity with other oppressed groups tied into a Fourth World project by intervention of the film.